WHAT ARE YOU SEEING? In today’s world, this question takes on a whole new meaning, doesn’t it? What are we seeing? What is real and what is imagined? How is my subjective response relevant to the collective real and important conversations?
It’s critical, now more than ever, to validate what is real and to identify our selective responses. In this issue of Manifest (zine), you’ll find several images of artwork, each followed by an ekphrastic poem that responds to the art.
The zine is arranged in such a way that you are asked to see the REAL artwork, and then turn the page to read a SUBJECTIVE response. In doing so, hopefully, you’ll come to understand that for every YOU looking at the world one way, there is a ME seeing it completely differently.
Featuring writings by Jen Payne, and artwork reprinted with permission by Jennifer Flint, Lisa Wolkow, Susan Doolittle, Linda Edwards, LeBrie Rich, Collier and Kim Hahn, and Frank X. Tolbert 2; as well as older works by C. Allen Gilbert, Joseph Beuys, and W. E. Hill.
24-page, Full Color 4.75″ square booklet and a curated Spotify playlist. Cost: $8.00.
This issue has been printed and mailed thanks to the generous support of readers. I’m hoping to continue publishing MANIFEST (zine) through 2026, but could use your help. Please click here for more information.
You can pay through PayPal using a PayPal account or any standard credit card. If you prefer the old school approach, please send your check, made payable to Jen Payne, P.O. Box 453, Branford, CT 06405.
Three Chairs Publishing is psyched to present MANIFEST (zine) issue #14: You Mean a Woman Can Open It?
As a woman born in the late 60s, there’s never been any question that I can be whatever I want to be. It’s what my parents and teachers taught me. It’s what my role models in the 70s and 80s demonstrated for me — Mary Tyler Moore, Marlo Thomas, Judy Blume, Madeleine Blaise, Madonna, Jane Fonda. And it’s how I’ve lived my life since I was old enough to make my own decisions about things — how I work and play, where I live and love, what I do and how. My own terms. My own expectations.
Of course, that doesn’t sit well with some folks. Mostly male folks of a certain genre. And there have always been attempts to keep me “in my place” — verbally, physically, financially, and so forth. But like so many countless women, I have persevered and succeeded, despite the obstacles and objections.
YOU MEAN A WOMAN CAN OPEN IT? is in honor of ALL the women who can, who do, and who keep on doing — who persist — no matter what.
INGREDIENTS: collaged elements, color copies, color scans, digital art, ephemera, essays, original photographs, poetry, quotes, vintage artwork. With thanks to the voices of #metoo, Ruth Orkin, Man Ray, Augustin Pajou, Céline (Melle-T), Bethany Armitage, Richard Freiherr von Krafft-Ebing, Carol Nicklaus, Elizabeth Warren, and Wonder Woman.
20-page, Full Color 5×7 booklet, free bookmark, and a curated Spotify playlist, Cost: $8.00 or subscribe and get 4 issues for $25.00.
You can pay through PayPal using a PayPal account or any standard credit card. If you prefer the old school approach, please send your check, made payable to Jen Payne, P.O. Box 453, Branford, CT 06405.
All things bright and beautiful, All creatures great and small, All things wise and wonderful, The Lord God made them all.
As we move among the creatures of this planet — every beast of the earth, and to every fowl of the air, and every thing that creepeth upon the earth — one can’t help but think of some greater force at work. Whether you call it God, Nature, or the Universe, come walk with me, meet some of my divine friends, and let’s see if John Muir was right when he wrote “The clearest way into the Universe is through a forest wilderness.”
INGREDIENTS: appropriation art, ceramic art, collaged elements, color copies, color scans, digital art, ephemera, essays, found art, found objects, found poetry, hand-drawn fonts, laser prints, original photographs, poetry, quotes, watercolor painting. With special thanks to Susan Doolittle and Mary O’Connor, and guest appearances by Ted Andrews, Elizabeth Barrett Browning, Walt Disney, John Drysdale, Ogata Gekko, Ed Mazza, John Muir, Richard Scarry, E.H. Shepard, Ben Team, Brian Tomasik, Dr. E.O. Wilson, and Shibata Zeshin.
28-page, full color 5×7 booklet + Inserts and curated Spotify playlist, Cost: $8.00or subscribe and get 4 issues for $25.00.
You can pay through PayPal using a PayPal account or any standard credit card. If you prefer the old school approach, please send your check, made payable to Jen Payne, P.O. Box 453, Branford, CT 06405.
All things bright and beautiful, All creatures great and small, All things wise and wonderful, The Lord God made them all.
As we move among the creatures of this planet — every beast of the earth, and to every fowl of the air, and every thing that creepeth upon the earth — one can’t help but think of some greater force at work. Whether you call it God, Nature, or the Universe, come walk with me, meet some of my divine friends, and let’s see if John Muir was right when he wrote “The clearest way into the Universe is through a forest wilderness.”
INGREDIENTS: appropriation art, ceramic art, collaged elements, color copies, color scans, digital art, ephemera, essays, found art, found objects, found poetry, hand-drawn fonts, laser prints, original photographs, poetry, quotes, watercolor painting. With special thanks to Susan Doolittle and Mary O’Connor, and guest appearances by Ted Andrews, Elizabeth Barrett Browning, Walt Disney, John Drysdale, Ogata Gekko, Ed Mazza, John Muir, Richard Scarry, E.H. Shepard, Ben Team, Brian Tomasik, Dr. E.O. Wilson, and Shibata Zeshin.
28-page, full color 5×7 booklet + Inserts and curated Spotify playlist, Cost: $8.00or subscribe and get 4 issues for $25.00.
ORDER BY JANUARY 10and get a free copy ofTHERE’S NO SUCH THING AS THE POOP FAIRY:5 Things to Remember when You Walk in the Woods
You can pay through PayPal using a PayPal account or any standard credit card. If you prefer the old school approach, please send your check, made payable to Jen Payne, P.O. Box 453, Branford, CT 06405.
MANIFEST (zine) Consider a Gift Subscription. It’s a one-of-a-kind gift idea for the holidays!
Imagine a magazine that’s like a mini art installation. Each issue is filled with unexpected images and creative rabbit holes, poetry, quotes, a curated Spotify playlist, and so much more!
$25.00
Gift subscriptions include a custom holiday greeting/gift acknowledgement and four printed issues of MANIFEST (zine) starting with the Winter 2023 issue, Great & Small.
A Gift Subscription to MANIFEST (zine) is a one-of-a-kind gift idea for the holidays!
It’s like sending a mini art installation that features interesting images and creative rabbit holes, quotes, poetry, a curated Spotify playlist. Layered with colors, textures, meanings (and music), the result is a thought-full, tactile journey with nooks and crannies to discover along the way. Gift subscriptions cost $25.00 include a custom holiday greeting/gift acknowledgement and four printed issues of MANIFEST (zine) starting with our upcoming winter issue, Great & Small.
Visit our Etsy Shop to order individual issues as gifts or stocking stuffers. Each costs $8.00, which includes some cool extras and shipping. (Each Etsy listing includes a sneak preview video.)
Perfect for the book lover in your life, consider giving a book from Three Chairs Publishing. Each comes signed by the author with a few creative extras.
Looking for a festive shopping experience? Then be sure to visit the Holiday Expo at Guilford Art Center (411 Church Street, Guilford). You’ll find many of our Three Chairs Publishing creations on display, along with ceramics, pottery, glass, jewelry, homewares, fiber art, ornaments, accessories, toys, specialty foods, stationery, leather goods and more. More than 200 American artists, makers and designers are featured in this year’s event. Click here for more information.
Thank you for your support!
Just like shopping local during the holidays, shopping at Three Chairs Publishing’s online shop has ripple effects. Your purchases help to support the women-owned printing company that prints our books, the locally-owned print shops that print our marketing materials, and the U.S. Postal Service which reliably delivers our products to your doorstep. You also help the self-employed editors, proofreaders, typesetters, artists, and tech support folks who help turn my ideas into things I can put into your hands to enjoy.
For all of that, and your continued support of my creative work, thank you. Happy Holidays! — JEN PAYNE
“I have lived with several Zen masters — all of them cats,” writes Eckhart Tolle in his book The Power of Now: A Guide to Spiritual Enlightenment. “Watch any plant or animal and let it teach you acceptance of what is, surrender to the Now. Let it teach you Being. Let it teach you integrity —which means to be one, to be yourself, to be real. Let it teach you how to live and how to die, and how not to make living and dying into a problem.”
THE LOLA POEMS is a limited edition, memorial issue of MANIFEST (zine) that honors the passing of my own little Zen master, Lola, by considering the lessons she taught me in our time together.
16-page, 4.25 x 5.5 booklet, Cost: $8.00or subscribe and get 4 issues for $25.00.
You can pay through PayPal using a PayPal account or any standard credit card. If you prefer the old school approach, please send your check, made payable to Jen Payne, P.O. Box 453, Branford, CT 06405.
I am psyched to be part of THE EXCHANGE, a statewide artist treasure hunt happening in Connecticut from now until November 1! CLICK HERE for an interactive map, GPS coordinates, and video clues from all of the artists!
SomethingProjects is launching its first project, a statewide Connecticut Artist Treasure Hunt called THE EXCHANGE, on view daily, August 15 – November 1, 2022 (rain or sun). It includes GPS-tracking, QR codes, and adventuring to 15 unique public art installations. The designated sites can be accessed through a map with GPS coordinates found at SomethingProjects.net beginning August 15.
Get ready for an adventure! Plan your outing to visit the many exciting projects in which the public is invited to engage in fun and meaningful ways in the towns of: Beacon Falls, Branford, Bridgeport, Darien, Easton, Fairfield, Hamden, Hartford, Meriden, New Haven, North Haven, Washington Depot, and Waterbury. Learn about these artists selected from your community by participating in the act of discovering what they have created to exchange with you.
THE EXCHANGE ARTISTS
Jeff Becker, Easton Meg Bloom, New Haven David Borawski, Hartford Susan Breen, Bridgeport Joy Bush, Hamden Susan Clinard, New Haven Jennifer Davies, Branford Sierra Dennehy, New Haven Ellen Hackl Fagan, Darien Crystal Heiden, Milford Allison Hornak, New Haven Fritz Horstman, Bethany Joe Bun Keo, Vernon/Rockville Judith Kruger, New Haven Susan McCaslin, New Haven Bailey Murphy, Meriden Adam Niklewicz, North Haven Jen Payne, Branford Roxy Savage, Fairfield Max Schmidt, Meriden Rosanne Shea, Waterbury Kim Van Aelst, Hamden Jo Yarrington, Fairfield
ABOUT SOMETHINGPROJECTS In 2022, longtime friends and artists, Howard el-Yasin and Suzan Shutan decided to partner and launched SomethingProjects: a nomadic and provisional space providing short-term exhibitions that dually highlight artists as well as introducing communities to new viewpoints and practices by state, regional, national and international artists. As an incubator for ideas it encourages artists to step outside their boundaries and experiment with the intersection of materials, production, presentation and means of engagement with audience and space. Their locations will change, and offer site-specific opportunities. For more information about SomethingProjects and THE EXCHANGE, visit www.SomethingProjects.net.
Supported by the Connecticut Department of Economic and Community Development, Connecticut Office of the Arts, which also receives support from the federal ARPA.
On May 24, 2022, an 18-year-old with an AR-15 semi-automatic rifle fatally shot nineteen students and two teachers, and wounded seventeen other people, at Robb Elementary School in Uvalde, Texas, United States. The victims were Makenna Lee Elrod, 10, Layla Salazar, 11, Maranda Mathis, 11, Nevaeh Bravo, 10, Jose Manuel Flores Jr., 10, Xavier Lopez, 10, Tess Marie Mata, 10, Rojelio Torres, 10, Eliahna “Ellie” Amyah Garcia, 9, Eliahna A. Torres, 10, Annabell Guadalupe Rodriguez, 10, Jackie Cazares, 9, Uziyah Garcia, Jayce Carmelo Luevanos, 10, Maite Yuleana Rodriguez, 10, Jailah Nicole Silguero, 10, Irma Garcia, 48, Eva Mireles, 44, Amerie Jo Garza, 10, Alexandria “Lexi” Aniyah Rubio, 10, and Alithia Ramirez, 10.
MANIFEST (zine): Endemic is a response that event. The proceeds from this issue will be donated to Sandy Hook Promise, a national nonprofit organization founded and led by several family members whose loved ones were killed at Sandy Hook Elementary School on December 14, 2012. Based in Newtown, Connecticut, their intent is “to honor all victims of gun violence by turning our tragedy into a moment of transformation. By empowering youth to “know the signs” and uniting all people who value the protection of children, we can take meaningful actions in schools, homes, and communities to prevent gun violence and stop the tragic loss of life.”
12-page, full-color 5×7, Cost: $8.00or subscribe and get 4 issues for $25.00
Part lit mag, part artist book, part chapbook, MANIFEST (zine) is the eclectic creation of Connecticut writer / poet / artist Jen Payne. Consider it a hold-in-your-hands art installation featuring writing, photography, and artwork, along with bits and pieces of whatnot that rise to the surface as she meditates on themes like change and transition, solitude, time, storytelling, and finding refuge in these turbulent times. Each issue also includes a curated Spotify playlist. Layered with colors, textures, meanings (and music), the result is a thought-full, tactile journey with nooks and crannies for you to discover along the way.
You can pay through PayPal using a PayPal account or any standard credit card. If you prefer the old school approach, please send your check, made payable to Jen Payne, P.O. Box 453, Branford, CT 06405.
Broken Pencil Magazine has been supporting zine culture and independent creative action for more than 25 years. Published four times a year, each issue of Broken Pencil features reviews of hundreds of zines and small press books, plus comics, excerpts from the best of the underground press, interviews, original fiction and commentary on all aspects of the indie arts. From the hilarious to the perverse, Broken Pencil challenges conformity and demands attention.
For all of those reasons and more, I was gobsmacked to see that MANIFEST (zine) was featured in their 25th Anniversary Issue! The cover of REFUGE, the quarantine zine, appears on page 38 – because, as they say, “the pandemic is the ultimate zine sourdough starter.”
Issue #1, DIVINE INTERVENTION What is the force that moves us? Changes us? Propels us with such acceleration that we hardly recognize ourselves. Is it grief, heartbreak, indignation? Or joy, courage, determination? Perhaps it is DIVINE INTERVENTION — masked for our benefit as demon or angel or a hurried white rabbit who intrigues us just enough to move. To trip, fall, test the waters, grow up, expand, explore. And praise be to that because often, so very often, those big and unexpected transitions become our greatest and most profound adventures.
OTHER INGREDIENTS: acetone transfers, acrylic paints, Avery labels, collaged elements, color copies, colored pencils, gold star stickers, Golden gel medium, hand-cut templates, hand-drawn fonts, hand-dyed paper, handmade papers, handmade rubber stamps, ink jet copies, laser prints, metal arrow, mirror labels, original photography, paper napkin, pigment inks, poetry, watercolor paints, with cameo appearances by Sir Isaac Newton Laws of Motion, Dirty Dancing, Star Trek, Solbeam, Eadweard Muybridge, Lewis Carroll, Sir John Tenniel, Alice, The Principals of Cartography, and the Serenity Prayer.
Did you know that each issue of MANIFEST (zine) includes a Spotify playlist especially curated for readers? For the CAT LADY CONFESSIONS issue, I explore all things cat, with songs by artists like Dee-Lite, Peggy Polk, Psapp, Alexis Saski, Lee Ann Womak, and Janet Jackson. It’s purr-fect! Take a listen now!
Issue #2, CAT LADY CONFESSIONS Poor Cat Lady. She always gets a bum rap. No one ever makes fun of Ernest Hemingway, whose Key West home was filled with cats — and he of a certain age. His strapping action figure includes a typewriter and a shotgun. Cat Lady? She gets six cats, bed head, and a ratty bathrobe. Doesn’t she earn points for opening her heart wide open? for loving even the most unlovable? for her strong, independent nature; Her patience and acceptance? for her superpower ability to nurture trust, stillness, solitude, balance? This issue of MANIFEST (zine) explores the oft-maligned life of the cat lady: crazy or contemplative? recluse or dancing to the beat of her own drum? You decide.
POEMS • The Obscurity of This Week’s Words • Bury Me in Yellow • Serenity • Chasing • Note to Self: Smell Roses • The Anatomy of 3 a.m. • Sunday Haiku • Cat Meditation
OTHER INGREDIENTS: acrylic paints, appropriation art, collaged elements, color copies, color scans, colored markers, colored pencils, cracker box, crazy cat lady action figure, Golden gel medium, hand-drawn fonts, hand-dyed paper, handmade cat mask, handmade linoleum block print, handmade papers, ink jet copies, laser prints, latex animal cat head mask, original photography, pigment inks, poetry, ribbon, rubber stamps, soap wrapper, sparkle paint, vintage photographs, watercolor paints, with cameo appearances by Cassastamps, Vikki Dougan , Matt Fry, Carl Larsson, Nina Leen, Pietro Longhi, Amedeo Modigliani, Mary O’Connor, Pixelins by Dana, Eckhart Tolle, Hattie Watson , Helen M. Winslow, and special thanks to Fuzzy, Calico, Crystal, Emily, CJ, Mousse, Little Black Kitty, and Lola.
MANIFEST ZINE Issue #3, It’s About Time! Poems & More by Jen Payne
We humans sure are creative with time, aren’t we? This arbitrary turning clocks backward or forward twice a year, assigning time to zones and lines and frames. I myself try to trick time, setting clocks randomly wrong and always fast as if I can somehow control the hours, beat the Kobayashi Maru of time. Even Albert Einstein said time is an illusion — “a stubbornly persistent illusion” — that time and space are merely “modes by which we think and not conditions in which we live.” Of course, if you think too hard on things like that you end up down rabbit holes and worm holes…want to come along?
Then check out the next issue of MANIFEST (zine). It’s About Time this time — time travel, time loops, time passing — a 28-page, full-color book filled with artwork, photos, poetry, and a curated Spotify playlist just for you. Cost: $6.00.
POEMS • Time Peace • Moonwalk Writer • Time Flies • Time Traveler • There is No Synonym for Reunion • This Affliction of Longing • Shape-Shifter, Time-Shifter Crow • Black Bird Haiku • Missing Banksy
OTHER INGREDIENTS: acrylic paints, appropriation art, collaged elements, color copies, color scans, colored markers, Dymo labels, ephemera, essays, Golden gel medium, hand-drawn fonts, ink jet copies, laser prints, mixed-media collage, one sci-fi geek, original photographs, pigment inks, poetry, postage stamps, postcard art, rubber stamp art, time travelers, vintage magazine pages, vintage photos, vintage postcard, and watercolor paint, with thanks to the Leo Baeck Institute, Joy Bush, Paul Delvaux, Albert Einstein, Esther Elzinga of StudioTokek, Rowland Emmet, the Everett Collection, Michael Jackson, Julien Pacaud, Robert Louis Stevenson and Charles Robinson, Sir John Tenniel, and Rudolph Zallinger.
Issue #3, It’s About Time! 28-page, full-color 7.5 x 5.5 Cost: $6.00
One of my favorite things about the work I get do to for my books and zines is the sleuthing. Hunting down random (often misappropriated) quotes, getting permissions to reprint, finding hard copy proof. Evidence for my readers — and myself — that I have done due diligence to make what you hold in your hands valid and true to the best of my abilities.
As a student of English literature and journalism, and as a life-long writer and citer, I feel an incredible responsibility to validate as many of my references as possible. To remind my readers, for example, that it was Henry Stanley Haskins who wrote “What lies behind us and what lies before us are but tiny matters compared to what lies within us,” not Ralph Waldo Emerson or Gandhi, and not Buddha.
When I was writing LOOK UP! Musings on the Nature of Mindfulness, in which I used that quote, I actually spent six months researching and properly attributing quotes. That task included rabbit holes like the quote sourced to a 1970s motivational poster printed by an academic publisher in Texas written by a retired social worker in Oak Park, Illinois.
I get a little geeky when it comes to that kind of thing. Like a dog with a bone. Truth be told, I love it as much Alice loved going on her adventures!
My most recent adventure involved Leonard Cohen and a 60-year-old book.
While I was working on the spring issue of MANIFEST (zine): CRICKETS, I found a beautiful poem by Cohen called “Summer Haiku.” The poem appeared in his book The Spice-Box of Earth of which there was a rare, limited edition hardcover edition that included illustrations by Frank Newfeld, a renowned Canadian illustrator and book designer.
There were several copies of the book available online starting at around $200, which is a tad higher than my budget for the zine project. Less expensive copies did not include the Newfeld illustrations, and by this point in the adventure those were key.
I did find and purchase issue number 56 of The Devil’s Artisan: A Journal of the Printing Arts that featured Newfeld’s work on delicious, offset-printed, antique laid pages. It even included a letterpressed color keepsake of Newfeld’s illustration for Cohen’s poem “The Gift,” which appears in The Spice-Box of Earth.
I went on to find a bookseller in Canada, Steven Temple, who owns a copy of the 1961 edition. Searching through the 10,000 books he attends to in his home-based bookshop, he found and took the photo of “Summer Haiku” that appears in CRICKETS.
Of course, I was still curious. What did the rest of the book look like? How many poems were there? How many illustrations? How could I see it? Read it?
My local library did not have a copy of the book, nor did Google Books. According to a 2016 article in Toronto Life, the University of Toronto’s Thomas Fisher Rare Book Library is “home to 140 banker’s boxes worth of Cohen’s archives” including “handwritten notes and letters, portraits, CDs, paintings, novel manuscripts, books, early drafts of his poetry and lyrics, and even art he made when he lived as a Buddhist monk.” Would it include a digital copy of The Spice-Box of Earth?
It did not.
Nor did the online Library and Archives of Canada or the Canadian Electronic Library. But on the Hathi Trust Digital Library website there was a helpful “Find in a Library” link that, when clicked, revealed some familiar and within-driving-distance names: Yale University, Wesleyan University, Connecticut College.
Lightbulb! I immediately emailed a woman I know at our local library, Deb Trofatter, who is the Associate Librarian for Reference Services and Technology, and asked…by any chance…can you get a copy of…
Which is how, on May 15, I came to have in my hands a 60-year-old hardcover copy of Leonard Cohen’s The Spice-Box of Earth to savor and share.
NOTES & LINKS
• The Spice-Box of Earth, illustrated by Frank Newfeld. (Toronto: McClelland & Stewart, 1961).
Alice photo from a Fortnum & Mason (London) holiday window display, possibly 2006. Photographer not found yet.
MANIFEST (zine): Crickets is a riff and a rant about the consequences of creative bravery. It’s a 24-page, full color booklet that includes a curated Spotify playlist for your listening pleasure. Click here to order your copy today!
Volume S of our 1976 Encyclopedia Britannica collection did not have much to say about the Spinning Jenny. What it was: an early machine for spinning wool or cotton. Who created it: James Hargreaves from Lancashire, England. When: 1764. And a short sentence about its significance in the industrial revolution.
I can still see the two-sentence paragraph description and its line drawing of the Spinning Jenny sitting on the page. What I could not see at the time was the 500-word essay being requested by my 6th grade social studies teacher Mr. Jacobson.
So I did what any good writer would do. I improvised!
What is a spinning wheel used for? How does it work? Where does the wool and cotton come from? What was life like in Lancashire? What was life like in 1764? Who was James Hargreaves? What was the industrial revolution?
Et voila! Essay.
Pulling from different sources, I spun together that essay and earned an impressive A- for my effort.
Ironically, one of the reasons the Spinning Jenny was so important is that it allowed a worker to use multiple spindles of material in the forming of thread.
Fast forward 40-something years, and I am still spinning. Still pulling from multiple sources to form threads of thought that get woven into my writing and creative work.
I love the experience of that process. Going down the rabbit hole of “what do we have here?” and finding winding paths to all sorts of unexpected discoveries.
I love the organic nature of those discoveries — what reveals itself as I walk along those paths. A bit like Alice, I suppose, wandering and Wondering in that strange, unexplored land.
I love the challenge of digging deeper to find some key piece of information that completes the story. I love doing research and following breadcrumbs.
The best part, of course, is when it can all finally come together. Tie off all of the threads, weave the ends together. See the conclusion of the hard work: the poem, the book, the zine, this essay.
I suppose, if you think about it, that make me a Spinning Jenny, wouldn’t you say?
“For every action there is an equal and opposite reaction,” Isaac Newton said.
“You leave old habits behind by starting out with the thought, ‘I release the need for this in my life’,” author Wayne Dyer said, some 300 years later.
I don’t think either of them were talking about keys…but I am.
I was walking through the woods the other day, thinking about the things we carry with us. The physical things—like keys — and the less tangible, like memories. The things we carry with us can be heavy — grudges or a responsibility. Or they can be light — kind words or the lyrics of a favorite song…
The wind is the whisper of our mother the earth The wind is the hand of our father the sky The wind watches over our struggles and pleasures The wind is the goddess who first learned to fly.
Often, the things we carry with us are no longer necessary.
For example, the key chain I carry holds 11 keys, three key fobs, and bar-coded tags for access to my library, AAA, and mile-long receipts from CVS.
Of those keys, I use three: house, car, post office box. One opens the door to a friend’s house, but I can’t remember the last time I used any of the other ones. That’s seven keys — or about four ounces — I carry around with no purpose.
Imagine if the non-tangible things carried weight as well? An ounce for that grudge, another for that resentment. Two ounces for that grief, and two more for that heartache. Perhaps they do.
But can I “release the need for this in my life,” I wonder as I walk? Can I let go of those old things that no longer serve a purpose? Can I leave stale habits and welcome new ones?
If I want to change things, according to Newton, I must do something: every object tends to remain in its state of motion unless an external force is applied to it.
If I “release the need,” and there is an equal and opposite reaction…will I manifest positive change? What new doors will open?
And won’t I need a new key?
Windsong, John Denver
If you like this poem, you’ll LOVE the Divine Intervention issue of MANFEST (zine)
The S.S. Pussiewillow II is a whimsical machine by inventor-sculptor Rowland Emett, who was known worldwide for his intricate machines that whirr, spin, flash, sway, and quiver, going nowhere, doing nothing, poking fun at technology. It appeared on display circa 1980 in the Flight in the Arts gallery at the National Air and Space Museum in Washington, DC, complemented by music composed and performed on antique harpsichords by Trevor Pinnock. This indescribable kinetic work became a favorite of adults and children alike. The object was taken off display in 1990, but visitors with long memories still ask about it.
From the postcard:
The S.S. Pussiewillow II, a Personal Air and Space Vehicle of unique Stern-wheel configuration, with Flying Carpet attributes, by Rowland Emett, O.B.E. An adapted Kashmir carpet is enmeshed within a light Jupiter-ring, which undulates and spins to provide False Gravity. Twelve variable-speed Zodiacs spin up to ensure activation of suitable Sign, to nullify adverse contingencies. In combined Control Module and Hospitality Room, the Pilot, accompanied by his Astrocat, pedals lightly (aided by helium-filled knee-caps) to energize Stern Paddle-wheel. There is an elevated Power-boost G.E.O.R.G.E. (Geometric Environmental OARiented Row-Gently Energizer), and a Solar Transfuser for trapping random sun-rays. Module is shown in open attitude, revealing possible Extraneous Being being won-over by Afternoon Tea, and toasted tea-cakes.
“A memory I wasn’t entirely sure was real, of finding something that seemed completely but wonderfully out of place in the National Air and Space Museum,” says the person who took the video below, and I completely agree. Like them, I too, remember wandering around the Air and Space Museum and finding myself in this magical room with its dancing machine and fantastical music. I’ve kept the postcard (above) tucked away ever since — what fun to revisit the memory all these years later!
Postcard and text from the National Air and Space Museum, Smithsonian Institution, 1981
If you like this magical creation, you’ll LOVE the It’s About Time issue of MANIFEST (zine). On sale now!
MANIFEST ZINE Issue #3, It’s About Time! Poems & More by Jen Payne
We humans sure are creative with time, aren’t we? This arbitrary turning clocks backward or forward twice a year, assigning time to zones and lines and frames. I myself try to trick time, setting clocks randomly wrong and always fast as if I can somehow control the hours, beat the Kobayashi Maru of time. Even Albert Einstein said time is an illusion — “a stubbornly persistent illusion” — that time and space are merely “modes by which we think and not conditions in which we live.” Of course, if you think too hard on things like that you end up down rabbit holes and worm holes…want to come along?
Then check out the next issue of MANIFEST (zine). It’s About Time this time — time travel, time loops, time passing — a 28-page, full-color book filled with artwork, photos, poetry, and a curated Spotify playlist just for you. Cost: $6.00.
POEMS • Time Peace • Moonwalk Writer • Time Flies • Time Traveler • There is No Synonym for Reunion • This Affliction of Longing • Shape-Shifter, Time-Shifter Crow • Black Bird Haiku • Missing Banksy
OTHER INGREDIENTS: acrylic paints, appropriation art, collaged elements, color copies, color scans, colored markers, Dymo labels, ephemera, essays, Golden gel medium, hand-drawn fonts, ink jet copies, laser prints, mixed-media collage, one sci-fi geek, original photographs, pigment inks, poetry, postage stamps, postcard art, rubber stamp art, time travelers, vintage magazine pages, vintage photos, vintage postcard, and watercolor paint, with thanks to the Leo Baeck Institute, Joy Bush, Paul Delvaux, Albert Einstein, Esther Elzinga of StudioTokek, Rowland Emmet, the Everett Collection, Michael Jackson, Julien Pacaud, Robert Louis Stevenson and Charles Robinson, Sir John Tenniel, and Rudolph Zallinger.
Issue #3, It’s About Time! 28-page, full-color 7.5 x 5.5 Cost: $6.00
As soon as I heard the tone of your voice
I knew I would change the story.
Right there, sitting on the step,
with the phone still warm against my ear,
I said out loud “It will not end this way.”
I never looked back.
I just cut a hole through the wall,
and changed the language of doors.
In the pieces of memory
and scraps of conversations
transcribed in situ
I will tell you about
the headless groom
and the dead dog,
about the failure of Saint Raphael
and the irony of the phrase
“you could get hit by a bus.”
I’ll tell you the 15,000 words that broke me
and the ones that almost put me back together
until I realized my heart was better
cracked wide-open like that anyhow.
Now all I need to do is type
Issue #2, DIVINE INTERVENTION Poor Cat Lady. She always gets a bum rap. No one ever makes fun of Ernest Hemingway, whose Key West home was filled with cats — and he of a certain age. His strapping action figure includes a typewriter and a shotgun. Cat Lady? She gets six cats, bed head, and a ratty bathrobe. Doesn’t she earn points for opening her heart wide open? for loving even the most unlovable? for her strong, independent nature; Her patience and acceptance? for her superpower ability to nurture trust, stillness, solitude, balance? This issue of MANIFEST (zine) explores the oft-maligned life of the cat lady: crazy or contemplative? recluse or dancing to the beat of her own drum? You decide.
POEMS • The Obscurity of This Week’s Words • Bury Me in Yellow • Serenity • Chasing • Note to Self: Smell Roses • The Anatomy of 3 a.m. • Sunday Haiku • Cat Meditation
OTHER INGREDIENTS: acrylic paints, appropriation art, collaged elements, color copies, color scans, colored markers, colored pencils, cracker box, crazy cat lady action figure, Golden gel medium, hand-drawn fonts, hand-dyed paper, handmade cat mask, handmade linoleum block print, handmade papers, ink jet copies, laser prints, latex animal cat head mask, original photography, pigment inks, poetry, ribbon, rubber stamps, soap wrapper, sparkle paint, vintage photographs, watercolor paints, with cameo appearances by Cassastamps, Vikki Dougan , Matt Fry, Carl Larsson, Nina Leen, Pietro Longhi, Amedeo Modigliani, Mary O’Connor, Pixelins by Dana, Eckhart Tolle, Hattie Watson , Helen M. Winslow, and special thanks to Fuzzy, Calico, Crystal, Emily, CJ, Mousse, Little Black Kitty, and Lola.
November 2020, 24-Page, Full-Color, 5.5 X 8.5 Booklet, $6.00 (Spotify Playlist)
Issue #1, DIVINE INTERVENTION
What is the force that moves us? Changes us? Propels us with such acceleration that we hardly recognize ourselves. Is it grief, heartbreak, indignation? Or joy, courage, determination? Perhaps it is DIVINE INTERVENTION — masked for our benefit as demon or angel or a hurried white rabbit who intrigues us just enough to move. To trip, fall, test the waters, grow up, expand, explore. And praise be to that because often, so very often, those big and unexpected transitions become our greatest and most profound adventures.
OTHER INGREDIENTS: acetone transfers, acrylic paints, Avery labels, collaged elements, color copies, colored pencils, gold star stickers, Golden gel medium, hand-cut templates, hand-drawn fonts, hand-dyed paper, handmade papers, handmade rubber stamps, ink jet copies, laser prints, metal arrow, mirror labels, original photography, paper napkin, pigment inks, poetry, watercolor paints, with cameo appearances by Sir Isaac Newton Laws of Motion, Dirty Dancing, Star Trek, Solbeam, Eadweard Muybridge, Lewis Carroll, Sir John Tenniel, Alice, The Principals of Cartography, and the Serenity Prayer.
As we watch the fall colors wane and this long, long year slowly fades into winter, I find myself thinking about comfort.
my grandmother’s afghan draped across my lap
cinnamon rolls baking and hot coffee brewing
a favorite sweater, its sleeves stretched long and collar pulled up
roast chicken and red wine for a while, and candles
“Can’t we just not deal for a while and take refuge in a pile of pillows and blankets?” writes Jessie and Nathaniel Kressen in their book Blanket Fort: Growing Up is Optional.
A blanket fort? Yes, that too! I’ve spent some time this fall researching and sketching and making a pile of linens and pillows for a reading nook.
“With so much uncertainty in the world – from the pandemic to politics – it’s hard not to be a little envious of hibernators. For humans, it’s bound to be a challenging winter. But for the bears? It’ll be a blur. They’ll essentially get to skip it all, curled up in their dens, awaiting a sunnier spring.”
Sing ho for the life of a bear?
Or…sing ho for a life that includes a chance to slow down a little. Curl under a favorite afghan, sip hot cup of coffee (or red wine)…and rest, read, and regenerate for the year ahead.
With that in mind, please visit the Three Chairs Publishing online shop today! We’ve got plenty of good reading materials, just in time for winter, the holidays, or your own personal hibernation…whichever comes first.
agazine has been supporting zine culture and independent creative action for more than 25 years. Published four times a year, each issue of Broken Pencil features reviews of hundreds of zines and small press books, plus comics, excerpts from the best of the underground press, interviews, original fiction and commentary on all aspects of the indie arts. From the hilarious to the perverse, Broken Pencil challenges conformity and demands attention.
A blanket fort? Yes, that too! I’ve spent some time this fall researching and sketching and making a pile of linens and pillows for a reading nook.
With that in mind, please visit the 
randomactsofwriting.net 