I’m trying to imagine
the giant mechanism
my homunculus
must maneuver each morning,
how enormous the
the weights and counterweights,
the mile-thick ropes and pulleys,
necessary to close off this reality
YOU SHALL NOT PASS
close off this reality
just enough so I get out of bed,
do my hair, make coffee
right-side up instead of
upside down like it feels
when I peer through the crack,
one eye closed or cautious squint
knowing I have the privilege to ask
Spring storm arrives with wind and rain
that rattles windows and pushes against doors,
huffing and puffing I’ll blow your house down it growls,
but we know how this goes, we’ve done this before,
so we set out candles, search for matches, batteries,
hope the giant maple in the yard can persevere again —
check to make sure the basement doesn’t flood too badly,
that the roof in the kitchen doesn’t leak,
that I remembered to close the bedroom window —
it was warm last night…or was I?…
I wake often now, press palm against my forehead
relax when it’s only a flash and not a fever,
breathe deeply and pray when I still can
because we don’t know how that goes —
that other storm that’s still raging
that doesn’t show on the radar map
and won’t blow out to sea anytime soon,
that will still be here when the sun returns tomorrow,
when I put the candles away in the drawer,
when I look out those windows to the yard,
to the giant maple, her leaves in wait,
and my neighbor in her mask in her garden
moving dirt and planting seeds
that will grow despite the storm,
we know they will.
She had promised them
and so each Easter
we gather ourselves
and the pots of
sweet Hyacinths,
the cut wire-hanger hooks,
the glass jars of water
and drive together
to Holy Savior first,
where we clear off the old stone
of her mother and father
secure flowers to the iron red earth
for them first and always
and then for her brother;
we bow our heads,
she prays and crosses herself
once for each of them,
touches the stones before leaving
as if to say, Nice to see you,
and I’ll be back.
It’s a slow and somber drive
then to Memorial Park,
past the fireman statue
to her husband’s grave.
She tends and weeds,
seems not to notice her name
carved in stone by his,
remarks at the well-mowed grass
before we leave,
drive by the place where my Dad
played cowboys and Indians,
riding the headstone
shaped like a stagecoach,
where he left toys guns in the grass
for my grandmother to find
by flashlight and shadows.
We leave hyacinths on his grave, too,
kneel together on the damp ground,
clean red dust from the bronze plaque,
touch-spell his name one more time,
listen to cars passing, and crows,
and weep fresh tears,
for this, the hardest tending.
2 cups
then milk, sugar, egg
for sweet batter and
more with
brown sugar, cinnamon, butter
for sweeter topping
layer one onto the next
and bake until
heavenly scent insists
you make coffee for the cake
2 cups
and chopped parsley
milk, salt, pepper
dropped by heaping spoonfuls
into bubbling hot stew —
my granmother’s recipe of
chicken, carrots, celery,
with onions stuck to the underside
of buoyant dumplings, divine
2 cups
add eggs and milk
mix until smooth
smooth enough to pour
round on a griddle
then wait for bubbles
before you FLIP!
to a golden brown,
stack high and drizzle
pour, engulf, drown
with sweet maple elixir
2 cups
and milk
(yes, only milk)
don’t overmix the mix
then drop one by one
the soft, sticky dough
into rounded domes
and dream of jams,
light, creamy butter,
honey or marmalade,
berries and cream
while they rise to
biscuity perfection
before your hungry eyes
2 cups
in a pandemic make
old school coffee cake
dumplings for stew
pancakes, flapjacks, griddle cakes
(call them what you may)
biscuits, waffles…
makes a person wonder
why so many Bisquicks left on the shelf
as she wipes a crumb
from her mask
with her blue-gloved hand.
They call it Angels’ Song,
the ever-present ring,
its high-pitch serenade,
that lulls us to weary sleep,
lulls us too awake at night,
the slow resurface to a day
not yet over, not yet begun
But the company of angels —
these singing angels —
is no more welcome than
the weight of anxious demons
woke by the great pandemic
and dancing on our chests… ……..at three while the angels trill ……..at nine while the angels chant ……..at noon while the angels croon
Demons cast down from the heavens,
their affliction of fearing
like the affliction of hearing,
a gathering of the unseen — ……..at three what we don’t know ……..at nine what we can’t control ……..at noon what we fear comes next
an omnipresent troupe
that dances in the shadows,
hums like a swarm of bees,
and sings their unyielding songs
all the livelong day.
Right before the world shut down, I was working with photographer Joy Bush to promote her new exhibit at City Gallery in New Haven. We had a phone call scheduled, so I set my phone alarm: 8:50AM, Joy. That’s what inspired today’s poem. You can check out Joy’s thoughtful work on her website: www.joybushphotography.com.
It’s a small bar,
tucks into my hand
smooth and white
I’ve pulled it from
its palm-tree wrapper
the one that tells me
in small letters Soap – Savon – Jabón
It smells like Cape Cod,
that hotel room
with the view of water,
the southern wind
just off the beach,
the cedar trees,
and fresh-washed towels,
so I sing more than 20 seconds —
maybe 40 or 60 seconds —
long enough to stay until
the sun lifts up
and I recognize the day,
my self maybe too,
in a mirror so far away.
Happy National Poetry Month! Here at Random Acts of Writing, we’re going to be writing a poem a day — #NaPoWriMo — so check back daily! But did you know that National Poetry Month was inaugurated by the Academy of American Poets in April 1996? Over the years, it has become the largest literary celebration in the world with schools, publishers, libraries, booksellers, and poets celebrating poetry’s vital place in our culture. Here are 30 ways you can participate…
Record yourself reading a poem, and share why you chose that work online using the hashtag #ShelterinPoems. Be sure to tag @poetsorg on twitter and instagram!
Sharpen up your pencils. Gather your pens. Dust off the Corona (not that one). And boot up the computer, because National Poetry Month begins next Wednesday, April 1.
No joke!
And National Poetry Month means, among other things, it’s time for NaPoWriMo = National Poetry Writing Month, in which we attempt, once again, to write 30 poems in 30 days! Check it out > www.napowrimo.net!
I sense a little resistance. A bit of “my poems aren’t good enough” or “my poems would never be ready for prime time in one day.” To which I say: Pshaw!
NaPoWriMo is not about perfection or polish. It’s about practice. A daily practice of sitting with your craft and watching what comes up. It’s like practicing yoga and seeing how deep you can go. Or singing scales to tune the instrument of your voice. It’s stretching so your writing muscles don’t seize up and stop working for you.
Besides, let’s be honest, you’ll have plenty of time on your chapped and over-washed hands in the next month — why not spend some of it doing something you love?
Like writing poetry.
Are you with me?
Here’s some more information if you’d like to play along.