John Lennon sang about peace when I was only 5 but then he was shot in the back four times, a few years later imagine. we all kept singing though even after that gave the peace sign to each other in a wink-wink someday sort of way like we were in on a big secret; it was coming, any day now, 2,000 years of peacemakers and peace preachers had told us so before they were killed, too, point-blank or otherwise; told us, told our parents, told their parents who kissed in the streets when John Lennon was all but 5 imagine. and so it goes, peace dream pipe dream pish posh.
When the painter on stilts calls to me from above to talk about color and time, I hear only the whisper of a lover past, blue eyes and soft curls his warm brown skin against mine practicing words out loud as we drank spiced rum from paper cups, pointed to constellations laid out on the ceiling tu nombre es mi cielo, mi amor your name is my heaven, my love
At 6:15 this morning I had the thought I should drive to Pennsylvania. Sit at my father’s graveside for a while. Talk about all of the things that have changed in the 30 years since we buried him there, the all of us still in shock about the accident, the sudden death, the things we’d left unsaid.
Thirty years is a long time — almost half my life now — there would be a lot to say.
I hadn’t thought of a cemetery visit, made a plan. The grief is so subtle now, with no demands for place and time. It comes as it will come, whether I am sitting there among rows of stones, or sitting in the woods communing with the spirit of everything.
So that was my choice — the spirit of everything in the woods early this morning, and I was happy for the solitude, the Sunday morning quiet.
While I hoped for a sign — he often appears as Hawk — or a voice on the wind, what I found was gratitude.
A deep and unyielding gratitude for how very well he raised me, how strong he taught me to be; for his laugh and the stick-with-it, positive way he approached life; for his encouragement to dream big and love big.
My favorite story about my Dad was the time he took me sledding when I was about four-and-a-half. He set me up on the sled at the top of a rather large hill and reminded me to steer left when I got to the tree. But I got my left and right mixed up and hit the tree straight on — requiring a race to the emergency room and ten stitches. A few weeks later, he brought me back to that hill and told me to open the glove compartment. Inside was the bloody rag he’d held to my forehead — it was a no-pain-no-gain moment. Then he made get on the sled and go back down the hill because…“When you fall off the horse, you get right back on.”
These days we call that tenacity, perseverance, courage, strength, resilience — all of the things that got 29-year-old me standing graveside to this version of me now. I like to think he’d be really proud.
Last week, in one of those wonderful moments of happenstance, I met a local woman who — we discovered while discussing her photography work — was raised in the same town as my mom and dad. We got to talking about what it was like growing up there, how you really are made up of where you come from, and how the language of the place filters into conversations like ours and defines things without elaboration.
I wasn’t born in Bethlehem, Pennsylvania — but my entire family was — my mom’s family and all of Dad’s, uncles and aunts, cousins. My parents, decades after moving to Connecticut, still called it Home, and for me, sometimes, it feels that way, too. As a child, we spent holidays and summers in Bethlehem, attended family weddings and funerals. Still, today, I can drive around the city without getting lost, find my way back to my grandparents’ houses, the cemeteries, the church where I was baptized and my parents were married.
So I knew, immediately, the location of the photographs in this local woman’s portfolio. The view from the Southside that Walker Evans immortalized (above), the Kraken-like spires of the steel mill rising from the shore of the Lehigh River, the stories-high windows through which I used to watch molten steel flicker and pour as we drove through town.
Like my client, I have always been fascinated by the steel mill. It holds its place in my mind as the beating heart of the city, with its pulsing engines and machines. It was the center through which everything moved: the trains that woke me up at night, my grandfathers working night shifts, my grandmothers keeping house in the shadows of industry, the smell of iron ore on their skin.
If you have been there or lived there, you know that smell. You know the feel of Steel City, its rough-around-the-edges energy and patchwork culture of blue collar workers, religious sects, and immigrants. You know the hills of Southside, the porch-lit Moravian Stars, and you can see the famous steel stacks along the skyline. You see them, even now, as ghosts keeping watch over the casinos and concert venues, the museum dedicated to the long-gone industry that made its city famous.
The woman I met, Linda Cummings, is an artist-photographer with an incredible catalog of work. You can see her collection of Bethlehem, PA images on her website. They’re part of a larger collection of work called Slippages that will be featured in her new book of the same name.
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